PLATE 01 · THE WITNESS

Now That I'm Still Here · A Memoir of Ruin and Resurrection

Christopher Carazas, author of Now That I'm Still Here

I spent decades becoming whoever the room required. The performance earned praise. It also erased the person performing it.

Survival was only the first draft.

Cover of Now That I'm Still Here by Christopher J. CarazasThe bookA memoir of ruin, resurrection, and the witness who kept morning arriving.
A person and a German Shepherd sit together facing an amber horizon in a layered paper collage
Memory study: witness, horizon, return.
Field note 01

The person underneath decided to stay.

02 · WHAT THIS BOOK IS ABOUT

I became very good at surviving a life I could no longer live.

A memoir, living archive, and field guide to the life that remained.

Now That I’m Still Here is a memoir about autism, masking, emotional abuse, psychiatric collapse, grief, and the strange work of rebuilding a life after the version of you everyone applauded finally breaks.

I grew up between countries, languages, churches, and expectations, learning early that belonging often meant performing. By adulthood, I could read a room, manage a crisis, and disappear in plain sight. People called it maturity. I was slowly evacuating my own personality.

Then the marriage collapsed. The mask cracked. I was diagnosed with autism as an adult. In the wreckage, Shadow kept expecting breakfast, Katie loved me without asking me to become smaller, and writing became a door.

This is not a victory lap. It is what happens after collapse, when you are alive but not yet convinced that life belongs to you, and the people who stay make staying imaginable.

The book is not about becoming fearless. It is about becoming present enough to stop disappearing.

READ ABOUT THE BOOKCatalogue Entry I
A memoir in four movements Witness · Ruin · Return · Continuance
02 · THE WITNESSES

Some lives are held together by the ones who keep watch.

Shadow kept morning arriving. Katie made room for a self that did not have to perform. Between them, survival stopped being an argument and became a life.

Author note

Some chapters explain. Others simply stand in the room and refuse to leave.

Shadow, a German Shepherd, wearing a striped bow tieShadowThe witness. Breakfast administrator. Editorial enforcement division.
Plate 02A

Shadow kept morning arriving.

When the future disappeared, breakfast still expected competence.

Meet Shadow →
Katie standing in front of a colorful mural painted as wingsKatieThe one who did not ask for a performance.
Plate 02B

Meet Katie.

Katie was Christopher’s partner: sharp-witted, musical, stubborn, and deeply generous. She loved through sarcasm, karaoke, handwritten notes, and the ordinary insistence that he mattered.

Meet Katie →
A German Shepherd paw print in snow, surrounded by overlapping boot prints
Accession SH-01Evidence of passage · Winter, Kingston · Digital photograph · Personal archive

Some proof disappears as soon as the weather changes.

03 · EVIDENCE THAT I MATTERED

There were days when language failed. Katie left evidence anyway.

The cards do not make grief tidy. They make love specific.

Enter the archive →Meet Katie →
Handwritten card from Katie reading: There really are no good words for this. Except maybe swear words. Like lots and lots of swear words.
Accession KC-01No Good Words · Marker on folded card stock · Personal archive
03 · THE BOOK ENTERS THE WORLD

The memoir leaves my hands and gathers readers, receipts, and consequences.

A memoir is private until it leaves your hands. Then it acquires routes, annotations, receipts, and witnesses of its own.

TABLE OF PLATES

The archive has an order. Memory does not.

Photographs, cards, campaign records, and book objects are indexed as plates across the edition.

  1. 01The Witness
  2. 02The Open Door
  3. 03Evidence of Passage
  4. 04Evidence That I Mattered
  5. 05The Author and the Witness
View all plates
Sentinel House Press printer deviceSENTINEL HOUSE PRESS · KINGSTON, MASS. · MMXXVI